So I knew what I wanted each sculpted mouth to look like. I drew them out like this as a reference for my sculpts. I want to do a claymation set off mouths now. My final aim is to create these out of clay. You may choose to use screenshots off reference footage that you shot of you making Mash it in the mirror or you may choose to draw them out like me. I started by drawing out all of the mouth shapes. You could even make them out fabric, whatever you choose to make him out. Making Your Mouth Set: you can create a mouth, set out anything, you could handle them. When I was studying back at University, I purchased these books and they all have several pages on lip sync alone, as well as massive amounts of information on everything else you could ever think off relating to animation on performance.ģ. If you have a kind of person that likes learning from books, I'm gonna put links to a few books, which I find have helped me learn mixing better. So observe yourself, observed other people, learn how to lip read, and it will help you get better at lip sinking. A lot of animation and how to get better is simply observation. If you've got a line of dialogue that you voiced yourself, record yourself voicing it. Actually, we're talking film yourself, really analyze when your mouth opens when it closes, what shapes its making and use that as a reference and as a guide to help you. One of the easiest ways to learn how to do mouth shapes is to simply observe and look at your own mouth. It's quite an unknown thing, but it isn't as hard as you might believe. Working Out Mouth Shapes: when you've never done lip sync before, Working out mouth shapes can feel a little scary. Then the animator can get on with the animationĢ. They literally sit there all day doing track, reads, listening to the audio and putting in the correct mouth shapes on assumes that is signed off by a director. If you ever have the pleasure of working on a big stop motion production or a feature film, there's usually one or two designated people to the lip Sync alone. Good Lip Sync is an art form all on its own. We're gonna go through how to track read, breaking down your dialogue frenetically and all of the other tools that are available to you within the dragon frame interface. In this class, I'm gonna show you how to make mouth shapes as well as how to import mouth sets into dragon frame software so you can plan out your lip sync before you even start animating your project. But when it's done badly, it can ruin your film. It's so important when it's done well, you don't even notice that it's happening. Learn even more with my tutorials on YouTubeįind other great Skillshare classes on animation.ġ.
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